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Reading, writing...that's what I do.

Love for the printed word, love and belief in ideas.

WHY DO WE WRITE? How Do We Write?

If you are a blogger, a writer…then you also must have notes to stimulate your ideas. Or you record ideas on your phone. Whatever  you do, you are creating a SEED that you believe might grow into something: a blog post a short story, a novel, a poem, a paragraph on Facebook. 

And when and IF you do go back to those NOTES, how do you react? Laughter, wonder, confusion…what was I thinking?

Writers, bloggers novelists, poets, article writers…we all need an idea, a prompt with which to start. 

WHAT DID I FIND? NOTE CARDS…

1. Here’s one…Her mother is describing a friend who had a stroke. She’s going on and on, Caroline fixated on the possibility of some root or stem now growing, crossing over her mother’s face, pulling her mother somewhere…maybe into a hospital bed, the woman slowly losing freedom of movement as she describes the friend who really has.  

IT IS WEIRD, right? BUT LOTS OF POSSIBILITIES.  

2. It is a spring-like day in winter, light through the windows is so bright, the room feels like the furniture is going to blow away.  

I CAN FEEL THIS ONE. MAYBE A CHARACTER CAN TOO. 

3. Two mothers are talking about their growing children. One says she now wants a life with “No strings attached”, causing her friend to immediately picture the cutting of the umbilical cord.

NOT SURE MOTHERS THINK OF THE CORD THAT WAY, BUT MAYBE. WHAT DO YOU THINK?

4. At a dinner with neighbors, a teenager notices that the children in this family, near to her in age, seem very ill at ease, rarely speak and keep their eyes on their dinner plates. When the teenager goes home, she remarks to her mother that those kids seem beaten down by their parents.     

THIS WAS A REAL EXPERIENCE, SO MABYE I SHOULD WRITE MORE. 

5. She felt this way mostly about Sundays, because whether the sun shone raw on the hard winter ground, or soft rains fell on new grass shoots, the house always looked shabby, undone. Maybe the troubles she tried to wipe from her mind  were  still there.    

SHOULD SHE LIVE WITH THESE FEELINGS OR TRY TO DISCOVER WHAT THEY MEAN AND THEN DEAL WITH THEM?   

I would love to know if you: sometimes start a blog post, a poem, a short story or an article with one image or one sentence you overheard, an experience that haunts you.

OR, when it is time to write a blog post, do you often have nothing to say? Do you write ahead of time, take notes during the week, the months, to keep your ideas flowing?  

I so appreciate all of you…thanks for reading. Feel free to assign me something to write about in your comment. 

JAMES by Percival Everett

You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter.

JAMES, a novel by Percival Everett is a reading gift. When JAMES is mentioned, it is immediately noted that Everett wrote this amazing work, basing it on a well-known volume: The Adventures of Huckleberry Finn by Mark Twain, published in 1884. But Tom Sawyer was more of a romp, with fence painting and other tricks. Huck Finn became Twain’s way to probe and reveal aspects of slavery that many people simply wanted to deny. There is no denial in JAMES. There is laughter, but also section where the reader is turning pages to see how Jim will survive and outsmart the crazy white folks he meets on the river.

THE NOVEL

I read JAMES and encourage all to read it. Everett is 67, this not his first novel. And he wanted readers to know that JAMES is not a reworking of Huckleberry Finn or redressing the certain literary wrongs of that era.

Everett states: “I think people assume because I am revisiting Twain, I am correcting. I love Twain’s novel. It (my work) doesn’t arise from dissatisfaction. If anything, I am flattering myself thinking I am in conversation with Twain. No, I read it 15 times in a row before writing this! I finished, then started again at page one right away, again and again. I wanted to inhabit that world, not the text. I didn’t want to just repeat the novel. So I read it until it became nonsensical to me—and then never looked at it again when I was writing. Everything you are reading is a memory of that world. The flow of the writing worked better that way.”

A reviewer in the Chicago Tribune, Christopher Borrelli writes: “Everett’s book should come packaged with Twain’s 1884 novel, but you don’t need to know Twain to appreciate the humor, the adventure and the release of Everett.” Then Borrelli reminds us of a famous quote from Ernest Hemingway: that all American literature stems from “Huck Finn.” And because he has spent a great deal of time reading Mark Twain, Everett shared something I didn’t know, but something that clarifies that rather confusing statement: so please keep reading…

“Huck Finn? Are you kidding? That’s a kids book.” Well no, it is not. The critic, Lionel Trilling wrote: “…the novel is one of the world’s great books and one of the central documents of American culture.” Trilling knew that the book grew and became more important because of its many readers. And because this is a Percival Everett novel, his narrator runs his every public utterance through what he calls a “slave filter” to make himself sound ridiculous and gullible, to pacify the white people around him.

An example: here is that practice in action, as James explains to a group of enslaved children in a cabin…how to survive. The children said together, “And the better they feel, the safer we are.” (they meaning their white owners.) 

And when James finds himself in Judge Thatcher’s library: I had wondered every time I sneaked in there what white people would do to a slave who had learned how to read? What would they do to a slave who knew what a hypotenuse was, what irony meant, how retribution was spelled?

This is how Everett brings this story into the present, so that it leaps off the page. 
 

MORE REASONS TO READ IT  

This is Everett’s most thrilling novel, but also his most soulful, Dwight Garner writes in the New York Times. “…below the packed dirt floor of Everett’s moral sensibility, James is an intensely imagined human being.”

Ta-Nehisi Coates in BETWEEN the WORLD and ME wrote that slavery is not “an indefinable mass of flesh” but a “particular, specific enslaved woman whose mind is active as your own.”

Everett more than lives up to that prescription, even though he does stick to the broad outlines of Twain’s novel. The New York Times review also states that the book flows inexorably like a river, with short chapters and situations that keep you reading. And yes there are familiar scenes that echo Twain, but also many scenes that speak directly to our modern world, teaching us what slavery truly was…not a trip down a river, but a shore that Black people had to find for their safely.  

FINAL THOUGHT…

Mr. Garner writes: Everett does not reprint the famous warning that greets the reader at the start of Adventures of Huckleberry Finn: “Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”

Motives, morals and plot are here in abundance, of course. And Everett shoots what is certain to be this book’s legion of readers straight through the heart.

“… yes, Huck Finn, the character, he does represent an adolescent America, moving through the landscape, trying to reconciles himself with his friend, who is both property and a human being.”

THANKS FOR READING 

Writing: Truth is the Arrow, Mercy is the Bow

Reading and writing are two sides of the same enjoyment. We read novels to escape, and we write novels and stories to create other worlds…which is also escaping. And I know that many of my readers are also writers. So please read my review of a book that encourages writers, while also using WIT. 

It is a book Steve Almond wrote (title is above) to help both writers and readers truly know and understand the POWER OF STORY. But you don’t always need to write story down, you also, right this moment, might consider yourself a STORY TELLER…and we all enjoy a person who can do that. 

So whether you are a reader, a writer, a teacher or a student, Almond has some important points to make. Almond writes: “I believe that every single person on earth is a storyteller. We are all trying to understand the story of our lives. Some of us are also trying to make a career, or a calling, from the practice of writing. The essential tools of that pursuit are PATIENCE and FORGIVENESS and COURAGE.” (caps are mine)  

Almond then writes:  You have to want to tell the truth. (Unless you are writing fiction or comedy and then you can write whatever you want!) 

A DIARY,  A SHORT STORY, A NOVEL…the feeling we get when we read something great makes us often ask: How do we, as writers, no matter where we are on the spectrum of writing, perform that feat? Well, you need some amazing characters. After Almond reveals why F. Scott Fitzgerald’s characters in The Great Gatsby are so real to us, he writes: “The easiest way to conceptualize core identity is to consider someone you know intimately, a parent, a lover or a best friend. Now close your eyes and think about what makes them them.” And he suggests we look at physical attributes, gestures, nervous habits and colloquialisms. 

 If you are writing a diary, consider honesty and self-appraisal. The hard truth is usually more interesting than trying to pretty things up. And then Almond uses Joan Didion as a example. She had just arrived in New York from California. She is only 20 years old, freezing, with a high fever, and she writes: “It didn’t occur to me to call a doctor, because I knew none. And though it did occur to me to call the desk and ask for the air conditioner to be turned off, I never called, because I didn’t know how much to tip whoever might come…was anyone ever so young? I am here to tell you that anyone was me.”

I think this is a great example to get us to keep diaries. We all do foolish, brave and surprising things!

THE ENTRANCE 

Almond tells us that major characters deserve an entrance. “Not just for the reader’s benefit, but so that YOU (the author) can establish their stake in the story, how their motives will interact with those of other characters. “

Almond then reminds us: this is how it works with strong characterization: the characters’ actions register as the inevitable outgrowth of their core identity. It is important to emphasize the word actions. because as Aristotle reminds us, it is action that determines the fate of your characters. 

The above is just a sampling of what Steve Almond teaches about writing; his style is warm and easy to read. The cover to his book is also interesting. This is a must-read for writers and readers. 

 

Amazing Posts from Writers of BBB

ENJOY SOME AMAZING POSTS FROM MY WRITER FRIENDS at BBB

We are still in the midst of a SUMMERTIME VIBE!

 

Laurie  She helps us deal with the end of summer and ways to enjoy life while caring for ourselves.

https://www.lauriestonewrites.com/2023/10/19/5-surprising-ways-of-self-care/

Rita

To take precautions if extreme heat comes to your area, check out this article from Rita R. Robison, consumer and personal finance journalist for tips to stay healthy this summer.

Rebecca

Are you afraid your data is being compromised? It’s so easy to become a victim of fraud. Rebecca Olkowski, with BabyBoomster.com writes about a possible solution to data mining.

https://babyboomster.com/protect-your-data-from-fraud-incogni/

https://babyboomster.com/

Carol

We’re in the dog days of summer and there’s nothing as refreshing as an easy summer salad. And that’s just what Carol Cassara offers us today. Thanks, Carol.

https://www.carolcassara.com/easy-summer-salad/

 

Meryl  Meryl of Musings of a Shore Life found out her favorite neighbor is moving. Change is inevitable, but sometimes not so easy to accept, as Meryl considers life changes in this week’s post Musings on Other People Moving.

https://merylbaer.net/musings-on-other-people-moving/

 Me, Beth

I’m all about reading and have another book for you to read: https://elizabethahavey.com/2024/08/talking-to-strangers/

 

Talking to Strangers

Talking to Strangers

Malcom Gladwell has so impressed the reading world with his analysis of life, that the term “Gladwellian intellectual adventure” has been coined.

And though I confess to not having jumped on his bandwagon before Talking to Strangers, when I saw he had written about Sandra Bland, I had to know his thoughts.

We now live and go through our lives with cable news. But I am taking you back to July of 2015. I’m white, Black Lives DO Matter. And then I am hearing of a Black woman who had just arrived in Texas for a new job, a new life, but had been arrested for a traffic stop. And then I am hearing that just days later,  it was assumed she had hung herself in her jail cell. I was enraged, had many questions, that to this day and even beyond this book, have not been answered. Why? Because we are still living in a time when these questions challenge us to find answers, give answers that we don’t want to face. 

HOW TALKING TO STRANGERS IS ORGANIZED 

Malcom Gladwell, an amazing writer, thinker, journalist, starts this book with Sandra, and ends it with Sandra. But in between, he is able to reveal the disconnects in society, by exploring, as only he can, history, psychology and the roots of evil in our society. Oh, Gladwell wants to come to some conclusion about Sandra, but before that, he explores how often we don’t have the big picture. Why? Because in many situations, we are STRANGERS to each other, and that means there are no exact rules to govern human interactions.

Gladwell attacks the problem in sections: some being Default to the Truth where he exams in detail the Sandusky (sex with a child) Case. Another being Transparency, which includes the Amanda Knox case and a fraternity party sex case. 

COUPLING 

But the most interesting section is Coupling,where Gladwell makes the case that often two things that go together are hard to separate. Suicide is often coupled. Suicide and the Golden Gate Bridge; Sylvia Plath and how gas was delivered to homes before safety measures were introduced; preventive police patrolling in Kansas City, Missouri and the interrogation of Black men and youths.  

Gladwell concludes the coupling section stating this: “There is something about the idea of coupling–of the notion that a stranger’s behavior is tightly connected to place and context that eludes us. It leads us to misunderstand some of our greatest poets (Sylvia Plath, Anne Sexton), to be indifferent to the suicidal, and to send police officers on senseless errands–this case, Sandra Bland. 

MOR ABOUT SANDRA BLAND; and note, all parenthesis are mine. 

In this book, when Gladwell is discussing in detail the Sandra Bland case, he asks a major question: 

“So what happens when a police officer carries that fundamental misconception– (that people are going to break laws, do wrong, especially if they are Black)–then add to that, the problems of default to truth and transparency? Because consider, by their very nature, a police officer can make us feel afraid, feel wrong when we are right, liars when we are truth tellers, especially if one is a person of color). So again, what happens?  YOU GET SANDRA BLAND.”

YES, SADLY. You get two personalities who view the world differently, should not be thrown together in a tense situation. And unfortunately, as a reader and a human, we are left with this: “If you are blind to the ideas that underlie our mistakes with strangers—and to the institutions and practices that we construct AROUND those ideas—then all you are left with is the personal…and now Sandra Bland, who—at the end of the lengthy postmortem into that fateful traffic strop…somehow becomes the villain of the story.” And thus we must look for solutions, one being: READ THIS BOOK.

Rain or Snow…Everybody Needs a Barbara

 

Fighting my fears…something wasn’t right. Midnight, snowstorm on the Dan Ryan Expressway, my van making some unidentifiable sound above the whine of rushing wheels, above hundreds of cars weaving and lane changing at jet speeds–so many people going somewhere in the depth of the night.

Barbara had taught me about mantras. Now I was using a new one—help me get home, please God, help me get home—my fingers gripping the wheel. And then it happened, my back left tire blew. I was skidding, riding on its metal rim, struggling to keep control, slow down—finally seeking the safety of the shoulder.
I slammed the car into park, my hands flying from the wheel like frightened birds. Shaking, I plunged into my nursing bag, pulling out my cell phone while noting my locked doors, the continuous traffic zipping by so closely that my car dipped in their wake, not unlike my increasing heart rate. Sleet pelted the windshield, empathizing how alone I was, 22 miles from home, locked in a disabled car. Now my husband’s groggy voice: he would come right away, he would call roadside assistance.

Moments later I was standing in the slushy snow of the shoulder, staring at my blasted tire, thinking of the spare tire, the tools buried somewhere—but could I do this, get myself going again? I let go a frantic laugh, then spoke to the vapor lights—“ Thanks, Barbara, your belief in me has contributed to me being here right now!”

Almost immediately a car pulled off the road, maybe 30 yards behind me. A beat-up old junker. I hurried back inside, locking my door, watching the slow progression of the car through my rearview mirror. Disquiet had been part of me nine hours earlier, while driving into the hospital parking lot to begin my 3-11 shift in Labor and Delivery. The van wasn’t riding right. But my first patient presented with a prolapsed umbilical cord…thus, an emergency C-section. I told myself that at the end of the shift I’d deal with the van; I prayed: help me get home. Please get me home. A new mantra—Barbara would have been proud. 

I met Barbara in my confusing early 30’s, she in her secure 50’s. She came to a neighborhood party greeting everyone, emanating an intense presence, her blue eyes bringing people out of corners, her full-throated laugh cheering the room. I watched her wave a drink in the air with crooked fingers, move about the room with a slight limp. But it was her smile that broke through conversations, pulling everyone in. I stood and watched as everyone succumbed to her light.

Barbara radiated a charge, and she readily shared her world of elation, her experience with grief. In her late teens, she developed rheumatoid arthritis, an autoimmune disease that inflames the joints. This happened when she was falling in love with her work in the fashion world, and her future husband. Three children later, a house in the suburbs, Barbara could hardly walk, bone rubbing on bone. The medical world was there for her–prescriptions, surgeries, 30 stays in the hospital, her family wonderfully present. In time, she made me want to do the same, tell her everything, including my private fears. Barbara became a gift to me.

But no one could live her life, Barbara often alone–with her pain. And maybe she thought of  giving up, until she discovered she was able to will herself to another place–traveling away from the boundaries of her body though meditation, freed from the clutches of pain. Those transforming moments becoming the basis for all that came after–“If I can elude my pain for five seconds while meditating on something wonderful—then I know I can get away from it for five minutes, thirty-five minutes, even five hours.”

Over time Barbara did just that. Her doctors were amazed, couldn’t believe she could walk without pain, take care of her family, travel. Questions…what was really happening–a new drug, a radical remission in the disease? No, what was happening to Barbara was belief, strength, the power of the mind. When I learned about Barbara’s life, things changed in mine. I had two young children and sometimes had to fight for control in my life. Barbara helped me see that I could achieve that control. 

But now in my stalled car, other thoughts…about times and places: a couple stopped, murdered off the expressway; a woman abducted from the local gas station, raped, murdered…and more. Such fears  threatened to lock me inside my home. Thus I had revealed such fears to Barbara; firmly she told me I had to stop these thoughts immediately: I was sending out bad signals; fear glowed around me, my mind was using energy to conjure danger. Just as Barbara used her mental energy to block out pain, I was using mine to bring negatives into my life.

CHANGE

Now in the car, I held fast, my panic and apprehension slowly lifting. I could put the negatives of life in perspective, no longer being afraid to journey into life, take some risks…part of the reason I went back to school, started a new career as a registered nurse, was now working at a tertiary care center in downtown Chicago…and the reason I was at this moment stranded on the Dan Ryan.

Now I was watching a man walk toward me from the beat-up car, those frightening newspaper articles outside my reach. I was a nurse at an inner city hospital. I had met people who lived and worked in the trenches of life. I could keep my head.

He came up and I spoke to him through the car window, immediately mentioning that my husband was on his way. He said he wasn’t there to hurt me, he just wanted to change my tire, make some extra money. I weighed my options. I said thank you, but no. He nodded, walked away, lingered by his car for a few moments and then came back. The snow was heavier now. I ran the window down a little more to talk to this man who was everything I would have wanted to avoid before Barbara.

“I work in Labor and Delivery at Mercy Hospital,” I told him, revealing myself as someone he could trust—I worked in his neighborhood.

“Do you know Nadine?” he asked right away. “She works in dietary.”

And so the conversation moved on, and again he offered to change my tire—it would be done when my husband arrived. Cars kept whizzing past. No one else had stopped. I clicked the lever that opened the back of my van, and this stranger changed my tire. Was Barbara there? Maybe. 

It was a defining moment for me. Subsequently, my children have claimed the world for their own, being sensible and living lives of freedom. Barbara died a year before that anxious snowy night. But as I fought my fear, she was there, showing me that by using common sense, extending trust to a fellow human being, that there are many wonderful ways to GET BACK HOME AGAIN. 

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